Wednesday 24 November 2010

Parquetry

Yesterday I decided to make some, well, pictures(?!) around the topic of parquetry. Simply, parquet is a geometric mosaic of wood pieces used for decorative effect. The two main uses of parquetry are as veneer patterns on furniture and block patterns for flooring. The past states, floors were highly valued and earned attention at all times, apparently. In Europe by the 17th century, masters had achieved perfection in producing art parquet - patterns that are entirely geometrical and angular - squares, triangles, lozenges etc. Art parquet developed in Russia very fast with the most popular parquet installation technique - herringbone.

Henrik Potter, other than being a real decent bloke, has done some work around flooring. Not specifically because of an burning infatuation with parquet and its techniques, craft, grandeur, and aesthetic, like in my case. His flooring solutions were made out of wanting to cover 'ugly spaces'. His floors are more substantial than my masking tape/card efforts, as Potter uses 8'x4' 12mm plywood, tape of various sorts and not just one, but yes! Two varnishes. You really can tell, can't you!(?!?!)

RE: Coleman

Man! Totally forgot how much I love shooting medium format! After seeing that lads photo's the other day, got me trawling through my efforts. I stumbled across these! Taken on a family trip to Cornwall, they are of the rough seas and torn coastline looking westerly from Tintagel (castle) - known for its association with the legend surrounding King Arthur and the Knights of the Round Table. I feel that these images share a mysteriousness, like Coleman's. I also find that they have a fatalistic feel to them. Especially the third image down, a real land/sea-defined effort.

Monday 22 November 2010

Joe Coleman

I have never felt overly awed by Australia. I have family there, have never been, and am not too bothered about going, well, just yet anyway. Stumbling onto these photographs though has definitely given me some food for thought. It's not all sprawling beaches of vast (boring?!) golden sand! Joe Coleman captures the ruggedness that Oz has to offer in a collage-y, over-exposed and vivid manner.

He seems to lead a pretty bohemian existence, with life, unsurprisingly, centering around the coast. He shoots off basic gear, which adds to the aesthetic of his work - using, for the moment, mainly a Yashica FX-3, Contax t2 and Smena 8m. Other work from Coleman is more subject driven, but it's his ethereal, geological, surfy-fused pictures that drew me in. Check out his pictures and words here!

Tuesday 16 November 2010

Creating something iconic

I can't stop listening to The Strokes seminal debut work Is This It. I can't stop listening to it so much that I have even, rashly, just bought the US Import version of the same CD for a whole £4.99 (it's all about the different cover artwork, and the omission of the track New York City Cops for When It Started - a decision taken in light of the 9/11 terror just as the record was going to press/being released in 2001)

The album is just brilliant. Basically, it was the birth of late 90s/early noughties Garage Rock Revival, or as it has become more widely know as... all-out Indie music. Moving away from the mire of grunge was more than welcome, by myself, if not by anyone else. Although, for those who don't know, this record made The Strokes HUGE, so I think the sentiment was shared!! It's such an optimistic set of tracks, fast-paced, romantic, modern, and joyous. What's more, the album has a beautiful 'stuck-in-time-ness' about it. It encapsulates the time it came from so perfectly, carefree. It basically involved getting drunk, having fun, no pretension, and not giving a fuck! Summed up in Someday.

Anyway, I have got totally sidetracked. I wanted to get into Roman Coppola, the director for all the bands videos off Is This It. They are real simple, jokey and enjoyable affairs, which resonates and sympathise with the tone of the record. For instance, Last Night shows the band simply set up in a studio, drinking and playing, basic. This was a tried-and-tested method that the Arctic Monkeys re-used (ahem!) out-right copied when it was realised that they were going to be the biggest thing since, well... The Strokes!! Someday, shows the band indulging in fun. They appear in a (forced) Family Fortunes style panel show, and their being playful. Yet, an intimacy is shared on camera, as shots from the game-show are cut with time spent with friends, chilling in downtown bar in New York.

Hard To Explain has to be the most memorable and intriguing vids, out of them all, as it questions what you see, and questions life at large. Coppola's direction is clever, he introduces the band subtly, and plays his part in being controversial by including sexual content, images of bombs, etc. whilst keeping the image of the band... very, innocent-looking! Dropped after the video for for sci-fi effort on 12:51, that seems to be the end of their love affair! But what a great and iconic one it was!!